Anya Kivarkis
Professor | Department of Art | University of Oregon
Professor | Department of Art | University of Oregon
Education
Master of Fine Arts, Metal, State University of New York at New Paltz
Bachelor of Fine Arts, Craft, University of Illinois at Urbana-Champaign
Solo, Two-Person, and Collaborative Exhibitions
2024 Solo Exhibition (upcoming Fall 2024), Sienna Patti Contemporary, Lenox, Massachusetts
2018 Time and the Other (collaborative exhibition with Mike Bray), The Firehouse at Fort Mason Center for Art and Culture (San Francisco), Represented by Sienna Patti Contemporary in conjunction with the Fog Art Fair
2016 Marble, Mirrors, Pictures and Darkness (collaborative exhibition with Mike Bray), INOVA – Institute of Visual Arts, University of Wisconsin, Milwaukee, Wisconsin (catalogue)
The Portland2016 Biennial, White Box Gallery, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center, Portland, Oregon (catalogue)
2014 September Issue (Solo exhibition), Galerie Rob Koudijs, Amsterdam, Netherlands
2008 Vanishing Point (Solo exhibition), Galerie Rob Koudijs, Amsterdam, Netherlands, (catalogue)
White on White (Solo Exhibition), Lamar Dodd School of Art Broad Street Gallery, University of Georgia, Athens, Georgia
2007 Blind Spot (Solo Exhibition), Sienna Gallery, Lenox, Massachusetts (catalogue)
White Out: Yevgeniya Kaganovich and Anya Kivarkis, (two-person exhibition) Gallery M, Cleveland, Ohio, traveled to Lowe Jewelry Studio, Rehoboth Beach, Delaware
Invitational Group Exhibitions
2024 Speaking Jewels, CODA Museum, Apeldoorn, The Netherlands, Curator: Martijn Akkerman
KUNSTRAI, Art Amsterdam, represented by Galerie Rob Koudijs, Amsterdam, the Netherlands
Feminist Futures, Jordan Schnitzer Museum of Art, Eugene, Oregon
2022 Preziosa, Florence Jewellery Week 2022, Galleria Delle Carrozze Palazzo Medici Ricardi, Florence, Italy
2021 Inaugural Installation, Christopher and Alida Latham Display, Tacoma Art Museum, Tacoma, Washington
Confluence: A Visual Discourse of US Academic Art Jewelers, Slocumb Gallery, East Tennessee State University, Johnson City, Tennessee
2020 Site Effects, Bavarian Association of Arts & Crafts (Bayerischer Kunstgewerbeverein, BKV), Munich, Germany, traveling to Baltimore Jewelry Center (Maryland), Curators: Katja Toporski, Anja Eichler (catalogue)
Object Permanence, Baltimore Jewelry Center, Baltimore, Maryland
2019 PAN Amsterdam Fair, represented by Galerie Rob Koudijs, Amsterdam, the Netherlands (Nov 2019)
What Needs to be Said, Hallie Ford Fellows Exhibition, (Umpqua Valley Art Association, Hallie Ford Museum of Art, Disjecta Contemporary Art Center, Schneider Museum of Art), Oregon, Curator: Diana Nawi (catalogue) (Oct 2019-2021)
Six Years Smitten, Smitten Symposium, Traveling Exhibition: Form & Concept Gallery (Santa Fe, New Mexico), East Carolina University, Material Topics Symposium (North Carolina) (Oct 12, 2019)
Circling Back, Adorned Spaces, 2019 Society of North American Goldsmiths Conference, Chicago, Illinois (Aug 2019)
Charmed, Sienna Patti Contemporary, Lenox, Massachusetts (June 2019)
The View from a Jeweler’s Bench: Ancient Treasures, Contemporary Statements Bard Graduate Center Gallery, Bard College, New York, New York, Curator: Sasha Nixon (Feb – July 2019)
2018 Adorning Boston and Beyond: Contemporary Studio Jewelry Then + Now, Society of Arts & Crafts, Boston, Massachusetts, Curator: Heather White
COLLECTIVE Design Fair, Represented by Sienna Patti Contemporary, New York, New York
Discursive, UO Summer Craft Forum, Jordan Schnitzer Museum of Art, University of Oregon, Eugene (catalogue)
Uncharted, Unbound, Unexpected, Facere Gallery, Seattle, Washington
2017 Symmetry Breaking, Art Gym, Marylhurst University, Portland, Oregon, Curator: Blake Shell (catalogue)
Sentimental Ornamentation, Fed Gallery, Kendall College of Art & Design, Grand Rapids, Michigan, Curator: Michele L. Bosak
Made in Oregon, Exhibition of UO Summer Craft Forum work, White Box Gallery, University of Oregon, Portland
Nasty Woman, Optik Gallery, Corvalis Oregon, Curator: Melody Owen
2016 Salon: Portland2016 Biennial, The Studio Visits, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center, Portland, Oregon
Hallie Ford Fellows Exhibition, Museum of Contemporary Craft, Portland, Oregon
Go for Baroque, Racine Art Museum, Racine, Wisconsin, Curator: Lena Vigna
Advance/Retreat, ZOOM Symposium, University of Wisconsin, Milwaukee
Matched Makers: Northwest Artist Couples, Museum of Northwest Art, La Conner, Washington, Curator: Vicki Halper
Smitten Forum - Recent Work, Greenville Museum of Art, East Carolina University Symposium, Greenville, North Carolina
2015 State of Oregon Craft, Museum of Contemporary Craft, Portland, Oregon, Curator: Namita Gupta Wiggers
Paducah School of Art and Design’s 2015 Jewelry and Metals Invitational,
Clemens Gallery, Clemens Fine Art Center, West Kentucky Community College
Smitten, Society of North American Goldsmiths Conference Exhibitions, Boston, Massachusetts (catalogue)
The Maker's Army, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon
Midcareer Metalsmithing Residency Exhibition, Arrowmont School of Craft, Gatlinburg, Tennessee
2014 Wear it Loud, R/R Gallery, New York, New York, curated by Platforma
COLLECTIVE Design Fair, Represented by Sienna Gallery, New York, New York
COLLECT, Represented by Galerie Rob Koudijs, Saatchi Gallery, London, England
KunstRAI 2014, Represented by Galerie Rob Koudijs, Amsterdam, hal 4 + 5, Netherlands
2013 In Dialogue with the Baroque, Handwerkskammer fur Munchen and Oberbayern, Galerie Handwerk, Munich, Germany
COLLECTIVE Design Fair, Represented by Sienna Gallery, New York, New York
International Jewellery Exhibition, Noel Guyomarc’h Gallery, Quebec, Canada, traveling to Society of North American Goldsmiths Conference, Toronto, Canada
2012 GLIMMER, Sienna Gallery, Lenox, Massachusettes
The Decorative Impulse, Villa Terrace Museum, Milwaukee, Wisconsin, Curator: Yevgeniya Kaganovich
The Long Now, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon, Curator: Stamatina Gregory (catalogue)
2011 COLLECT, Represented by Galerie Rob Koudijs, Saatchi Gallery, London, UK
75 Gifts for 75 Years, Museum of Contemporary Craft, Portland, Oregon, Curator: Namita Gupta Wiggers (catalogue)
2010 Realizing the Neo-Palatial: Objects of Virtue and Vice, The Metal Museum, Memphis, Tennessee, 2010 Exhibition in Print, Metalsmith Magazine, Curator: Garth Clark
20/20, Inaugural Exhibition, The School of Art + Design Gallery, University of Illinois, Urbana-Champaign, Illinois
Adornment and Excess: Jewelry in the 21st Century, Miami University Art Museum, Oxford, Ohio, Curator: Lena Vigna (catalogue)
L’education Sentimentale, Solidor Art Space, Cagnes sur Mer, France, Curator: Christian Alandete (catalogue)
Extreme Beauty, Glassell School of Art, Houston Art Museum, Society of North American Goldsmiths Conference, Houston, Texas
OBJECT Rotterdam, represented by Galerie Rob Koudijs, Rotterdam, Netherlands
A Concise History of Northwest Art, Tacoma Art Museum, Tacoma, Washington, Curator: Rock Huschka
Sculptural Objects Functional Art (SOFA) Chicago, Represented by Sienna Gallery, Chicago, Illinois
2009 So Fake, They’ll Think It’s Real, Sienna Gallery, Lenox, Massachusetts
Sculptural Objects Functional Art (SOFA) Chicago, represented by Sienna Gallery, Chicago, Illinois
Call + Response, Contemporary Craft Museum, Portland, Oregon, Curator: Namita Gupta Wiggers (catalogue)
The Sting, Manchester Art Gallery, Manchester, UK, Curator: Jo Bloxham (catalogue)
OBJECT Rotterdam, represented by Galerie Rob Koudijs, Rotterdam, Netherlands
Sculptural Objects Functional Art (SOFA) New York, represented by Sienna Gallery, New York, New York
2008 The Surrealist Impulse, Tacoma Art Museum, Tacoma, Washington, Curator: Rock Hushka
Bridge Art Fair NY, represented by Sienna Gallery, New York, New York
18KGoldTone, Opulent Project Space, Portland, Oregon
Sculptural Objects Functional Art (SOFA) New York, represented by Sienna Gallery, New York, New York
Craft + Content, Landmark Gallery, Texas Tech University, Lubbock, Texas, Curator: Robly Glover(catalogue)
Pioneers of Art Jewelry from America, traveling exhibition in Japan, The Ueno Royal Museum, Tokyo, The Museum of Arts and Craft, Itami city, Hyogo Prefecture, Sendia Mediatheque Gallery, Sendai City, Miyagi Prefecture, Design Gallery, 4th Floor of the International Design Center, Nagoya City, Aichi Prefecture, Mitsubishi Artium Imz 8th Floor, Fukuoka City, Fukuoka Prefecture (catalogue)
2007 Emerging Jewelers, Sculptural Objects Functional Art (SOFA) Chicago, Sienna Gallery, Lenox, Massachusetts (catalogue)
NewArt Northwest, Jordan Schnitzer Museum of Art, Eugene, Oregon, Curator: Lawrence Fong
Laced With History, John Michael Kohler Art Center, Sheboygen, Wisconsin, Curator: Lena Vigna, (catalogue)
2006 RAZZLE DAZZLE, John Michael Kohler Art Center, Sheboygen, Wisconsin, Curator: Lena Vigna
Eye Contact, Jordan Schnitzer Museum of Art, Eugene, Oregon
2005 Sculptural Objects Functional Art (SOFA) Chicago, Sienna Gallery, Lenox, Massachusetts
Juxtapositions / Markers of Contemporary Metals II, Samuel Dorsky Museum of Art, New Paltz, New York
State University of New York-New Paltz selected Alumni Exhibition, D&H Canal Museum, High Falls, New York
Emerging Jewelers Exhibition, Sienna Gallery, Lenox, Massachusetts
2004 Marzee Graduate Show 2004, Galerie Marzee, Nijmegen, The Netherlands,
MIDORA Leipzig – Jewellery Exhibition, represented by Galerie Marzee. Leipzig, Germany
Selected Exhibitions
2007 Schmuck 2007, International Jewelry Exhibition, New Munich Trade Fair Center, Munich, Germany (catalogue), Curator: Ramon Puig Cuyas
8th Northwest Biennial, Tacoma Art Museum, Tacoma, Washington, Jurors: Rock Hushka, Curator, Tacoma Art Museum, David Kiehl, Curator – Whitney Museum of American Art (catalogue)
2006 Coming Into View, Society of North American Goldsmiths Conference (Yaan Wooley, Chicago), Chicago, Illinois, traveled to Lowe Gallery, Rehoboth Beach, Delaware, and Jordan Schnitzer Museum of Art, Eugene, Oregon, Curators: Mary Hallam Pearse and Sakurako Shimizu
Metamorphosis, Enamelist Society Conference Exhibition, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee (catalogue)
Craft Forms 2005, Wayne Art Center, Wayne, Pennsylvania, Juror: David R. McFadden
2002 Openings, Heaven Gallery, Chicago, Illinois
16th Evanston + Vicinity Biennial, Evanston Art Center, Evanston, Illinois, Jurors: Kathy Cottong, Michael Rooks, Curators, Chicago Museum of Contemporary Art
24th Annual Contemporary Crafts Exhibition, Mesa Arts Center, Mesa, Arizona, Juror: Mark R. Leach
Visiting Artist | Public Lectures | Symposia
2023 Visiting Artist, State University of New York at New Paltz (SUNY), New Paltz, New York
2022 Visiting Lecturer, Jewelry and Film, Florence Jewellery Week 2022, Florence, Italy
2021 Visiting Artist (via Zoom), Alberta College of Art & Design, Calgary, Canada
Gallery Talk, Confluence: A Visual Discourse of US Academic Art Jewelers (via Zoom), Slocumb Gallery, East Tennessee State University, Johnson City, Tennessee
2020 AJF (Art Jewelry Forum) Live: The Baltimore Jewelry Center presents SITE EFFECTS: Jewelry on Both Sides of the Atlantic (via zoom), Curated by Anja Eichler and Katja Toporski, Art Jewelry Forum
2020 Visiting Critic, MFA in Applied Craft + Design, Pacific Northwest College of Art (PNCA), Oregon
2019 Panelist (in conjunction with exhibition, ‘The View from a Jewelers Bench: Ancient Treasures, Contemporary Statements’), Bard Graduate Center Gallery, Bard College, New York, New York
2018 Visiting Artist, Texas Metals Symposium, Texas Tech University, Texas
Panelist, Discursive Exhibition – Catalytic Conversation, Jordan Schnitzer Museum of Art, University of Oregon, Eugene
2017 Visiting Artist, Myers School of Art, University of Akron, Akron, Ohio
Visiting Artist, Edinboro University, Edinboro, Pennsylvania
Panelist, Object Permanence, 2017 NCECA (National Council on Education for the Ceramic Arts Conference, Portland, Oregon
Panelist, Conversation on Craft: Method Fetishes and Affordance, Oregon College of Art & Craft (OCAC), Portland, Oregon
Panelist, Symmetry Breaking, Art Gym, Marylhurst University, Oregon
2016 Visiting Lecturer, ZOOM Symposium, University of Wisconsin-Milwaukee, Wisconsin
Gallery Lecture, Marble, Mirrors, Pictures and Darkness, INOVA (Institute of Visual Art), University of Wisconsin-Milwaukee
Panelist, INOVA (Institute of Visual Arts), ZOOM Symposium, University of Wisconsin-Milwaukee, Wisconsin
Panelist, Critique In Craft, Chipstone Foundation, Zoom Symposium, University of Wisconsin, Milwaukee
Panel Moderator, Function Onwards, On Function Exhibition, INOVA, (Institute of Visual Arts), ZOOM Symposium, University of Wisconsin-Milwaukee, Wisconsin
UO Today, Interview, Oregon Humanities Center, University of Oregon, Eugene, Oregon
2015 Visiting Lecturer, State University of New York at New Paltz (SUNY), New Paltz, New York
Visiting Lecturer, RISD (Rhode Island School of Design), Providence, Rhode Island
Visiting Artist/Critic, Cranbrook Academy, Bloomfield Hills, Michigan
Visiting Artist, Seattle Metals Guild, Seattle Pacific University, Seattle, Washington
2014 Educators’ Dialogue Panelist, 2014 Society of North American Goldsmiths Conference, Minneapolis, Minnesota
2013 Visiting Critic, RISD (Rhode Island School of Design), Providence, Rhode Island
Visiting Artist, Texas Metals Symposium, Texas Tech University, Lubbock, Texas
Panelist, Research Practices, Oregon College of Arts & Craft, Portland, Oregon
Visiting Lecturer, University of Wisconsin, Madison, Wisconsin
2012 Panelist, The Decorative Impulse, Moderated by Ethan Lasser, Villa Terrace Museum, Milwaukee, Wisconsin
Visiting Artist, University of Wisconsin-Milwaukee, Wisconsin
2011 Panelist, Educators’ Dialogue, 2011 Society of North American Goldsmiths Conference, Seattle, Washington
2010 Visiting Lecturer, Digital Scholars Symposium, University of Oregon, Eugene, Oregon
2009 Visiting Artist, Oregon College of Art and Craft | Pacific Northwest College of Art (PNCA) graduate program in Applied Craft + Design (Abby McGehee Craft History seminar), Portland, Oregon
2008 Visiting Artist | Scholar Lecture Series, University Of Georgia, Athens, Georgia
Visiting Artist, California College of the Arts, San Francisco & Oakland, California
Panelist, Experiencing Craft, Crafting Experience, in conjunction with ‘The Thinking Body’ exhibition, San Francisco Museum of Craft + Design, San Francisco, California
Panel Development and Co-Moderator, Shifting Pedagogy in the Field, Educators’ Dialogue, 2008 Society of North American Goldsmiths Conference, Savannah, Georgia
Lecture on The Thinking Body, Jordan Schnitzer Museum of Art, Eugene, Oregon
2007 NewArt Northwest Lecture, Jordan Schnitzer Museum of Art, Eugene, Oregon
Emerging Jewelers Lecture Series, Sculptural Objects Functional Art (SOFA) Chicago, Illinois
2005 Panelist, On Collecting, Art Jewelry Forum Symposium, Samuel Dorsky Museum of Art, State University of New York, New Paltz, New York
Visiting Artist, University of Wisconsin-Milwaukee, Wisconsin
1999-00 Visiting Artist, Cartier 1900-1939 Exhibition, Field Museum of Natural History, Chicago, Illinois
Residencies
2016 Resident, INOVA (Institute of Visual Art), Jewelry & Metalsmithing Program, University of Wisconsin, Milwaukee, Wisconsin
2015 Resident, Mid-Career Metals Residency, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Resident, Smitten Forum 2015, Pocosin Arts Center, Columbia, North Carolina
Awards | Honors
2022 Career Opportunity Grant, Oregon Arts Commission and the Ford Family Foundation Mid-Career Grant, Oregon
Nominee, USA Artists, Chicago, Illinois
2021 Summer Stipend for Humanities and Creative Arts Faculty Award, University of Oregon, Eugene, Oregon
Finalist, Susan Beech Mid-Career Artist Grant, Art Jewelry Forum, Mill Valley, California
2020 Presidential Fellow in Humanistic Studies Award, University of Oregon, Eugene, Oregon
Career Opportunity Grant, Oregon Arts Commission and the Ford Family Foundation Mid-Career Grant, Oregon (July 2020)
2017 Career Opportunity Grant, Oregon Arts Commission and the Ford Family Foundation Mid-Career Grant, Oregon
Finalist, Susan Beech Mid-Career Artist Grant, Art Jewelry Forum, Mill Valley, California
2016 Hallie Ford Fellowship in the Visual Arts, The Ford Family Foundation, Roseburg, Oregon
2014 Fund for Faculty Excellence Award, University of Oregon, Eugene, Oregon
Career Opportunity Grant, Oregon Arts Commission and the Ford Family Foundation Mid-Career Grant, Oregon
Individual Artist Fellowship, Oregon Arts Commission, Salem, Oregon
2011 Summer Research Award, Dean’s Fellowship, School of Architecture & Allied Arts, University of Oregon, Eugene, Oregon
2008 Individual Artist Fellowship, Oregon Arts Commission, Salem, Oregon
2007 Rotasa Foundation Grant, in support of catalogue for curated exhibition, The Thinking Body, Mill Valley, California
2006 National 2006 Emerging Artist Award, Sienna Gallery, Lenox Massachusetts
2002 Research and Creative Project Award Grant, State University of New York, New Paltz, New York
CAAP (Community Arts Assistance Program) Grant, Department of Cultural Affairs, Chicago, Illinois
2001 Finalist Award, Illinois Arts Council, Chicago, Illinois
Curatorial
2007-8 Co-Curator, (with Kate Wagle), The Thinking Body, Jordan Schnitzer Museum of Art, Eugene, Oregon, traveled to the San Francisco Museum of Craft + Design, San Francisco, California
Works Cited
2022 Fig, Aura. ‘The Future of Jewelry in Florence Jewelry Week 2022,’ il Reporter, 29 April 2022
Porche, Laura Astrologo, ‘Florence Jewellery Week: A Journey into the Jewellery World,’ Celebre Magazine
The World of Jewellery’ European Life, 6 June 2022
Doornbusch, Esther, Free Jewelery Encyclopedia
The Avante-Garde Jewel in Florence’ Gioiellis
2021 Gomelsky, Victoria, ‘What Is ‘Art Jewelry’? Look at the Term Again.’ New York Times, 6 December 2021
Ed. Cappellieri, Alba and Yothers, Wendy, Digital Meets Handmade: Jewelry Design, Manufacture and Art in the Twenty-First Century, United States: State University of New York Press, 2021
2020 2020 Curator Critic Tour: Connective Conversations (CCT), The Ford Family Foundation and the University of Oregon Curator and Critic Tours
2019 Nawi, Diana, ‘What Needs to be Said’ (Exhibition catalogue), Hallie Ford Foundation, Oregon
Orozco-Valdivia, Nicolas, ‘Pinocchio Story,’ (Exhibition catalogue), Hallie Ford Foundation, Oregon
White, Heather, ‘They Did What?!! Mid-Twentieth Century Studio Jewelers and How Their Groundbreaking Work Continues to Shape the Field Today’ (lecture), Society of Arts & Crafts, Boston, Massachusetts
Nixon, Sasha, ‘A View from the Jewelers Bench: Ancient Treasures, Contemporary Statements’ (Exhibition catalogue and guide), Bard Graduate Center Gallery, Bard College, New York, New York
2018 Nixon, Sasha, Interview, Bard Graduate Center, Craft, Art, and Design Oral History Project, New York, New York
Nixon, Sasha, ‘Pixels Bejeweled: Modern Media, Contemporary Jewelry, and the Replication of Desire’ (lecture), Fashion Institute of Technology (FIT), New York
Lambert, Matt, ‘Cathecting Between the Like and the Love,’ Metalsmith Magazine, Vol 28, No. 3 (Fall 2018): 22-25
2017 Radulescu, Adriana, Art Jewelry Forum Interview on the Susan Beech
Mid-Career Award Finalists, Art Jewelry Forum Blog, 4 September 2017
A Reader on Place and Work: The Portland2016 Biennial Exhibition Catalogue, Disjecta Contemporary Art Center, Portland, Oregon
Margolis-Pineo, Sarah, The Setting is the Frontier. The Future is Old. The Force is Mysterious, Symmetry Breaking Exhibition Catalogue, Art Gym, Marylhurst University, Oregon
Miller, Briana, ‘Millenial Pink’ meets Art in ‘Symmetry Breaking’ exhibit at Marylhurst University,’ Exhibition Review, Oregon Live, The Oregonian
Levy, Benjamin and Wiggers, Namita, Discursive Exhibition catalogue, Jordan Schnitzer Museum of Art, Eugene, Oregon
2016 Rankin, Kelsey Anne, ‘All That Glitters is not Gold’ Eugene Weekly, 6 October 2016
Dafoe, Taylor, ‘Q & A with Michelle Grabner, Artist and Curator of the Portland2016 Biennial,’ BLOUINARTINFO blog, 30 June 2016
Miller, Briana, ‘Portland2016 Biennial offers broadest survey yet of contemporary art in Oregon,’ Oregon Live, 4 July 2016
Indrisek, Scott, ‘Engaging the State: The Portland Biennial’s Sprawling Joys,’ BLOUINARTINFO blog, 20 July 2016
Wang, Amy, ‘Hallie Ford Fellowships,’ The Oregonian, 24 June 2016, p. MR10
Marble, Mirrors, Pictures and Darkness catalogue, INOVA – Institute of Visual Arts, University of Wisconsin, Milwaukee, Wisconsin
Minerath, Kat, ‘INOVA offers an austere exhibit for contemplation,’ Wisconsin Gazette, 7 April 2016
2015 Connective Conversations: Inside Oregon Art 2011-14, compiled by Kate Wagle, The Ford Family Foundation and the University of Oregon Curator and Critic Tours
2014 Kaganovich, Yevgeniya, ‘The Decorative Impulse and the New Aesthetic Democracy,’ Panel paper, College Art Association, Chicago, Illinois
Cummins, Susan, Art Jewelry Forum Interview, Art Jewelry Forum Blog, 25 March 2014,
2012 Wiggers, Namita, 75 Gifts for 75 Years, exhibition catalogue, cover image,
Museum of Contemporary Craft, Portland, Oregon
Gregory, Stamatina, The Long Now, exhibition catalogue, Jordan Schnitzer Museum of Art, Eugene, Oregon
Wilson, Fo, ‘The Decorative Impulse’, exhibition review, American Craft Council Blog, 5 April 2012
Bonnie North, Interview on ‘The Decorative Impulse’, Lake Effect, National Public Radio, WUWM, Milwaukee, 15 February 2012
Schrijver, Ward, Galerie Rob Koudijs (GRK) Magazine, 5 Years 08-12
2011 Alandete, Christian, L’education Sentimentale, exhibition catalogue, Solidor Art Space, Cagnes sur Mer, France
den Besten, Liesbeth, On Jewellery: A Compendium of International Contemporary Art Jewelry, Germany: Arnoldsche Art Publishers, 2011
Le Van, Marthe, 21st Century Jewelry: The Best of the 500 Series, Asheville, North Carolina: Lark Books, 2011
Craig, Gabriel, ‘Namita Gupta Wiggers in Conversation,’ Art Jewelry Forum Blog, 21 May 2011
2010 Clark, Garth, ‘Neo-Palatial: Objects of Virtue and Vice,’ Exhibition in Print, Metalsmith Magazine, Vol. 30, No. 4 (Summer 2010): 42-43
Clark, Garth, ‘Neo-Palatial: Objects of Virtue and Vice,’ Sculptural Objects Functional Art (SOFA) Chicago 2010 Catalogue, Chicago, Illinois
Vigna, Lena, Adornment and Excess: Jewelry in the 21st Century, Exhibition Catalogue, Miami University Art Museum, Miami, Ohio
Wiggers, Namita, ‘Curatorial Conundrums: Exhibition Contemporary Art Jewelry In a Museum,’ Art Jewelry Forum Blog, 19 October 2010
Strauss, Cindi, ‘At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today,’ Art Jewelry Forum Blog, 21 September 2010
Vigna, Lena, ‘Notes on Excess,’ Art Jewelry Forum Blog, 23 April 2010
Hushka, Rock, ‘Holding Objects: What It Means to Wear Jewelry – The Psychoanalytic Mechanisms,’ SOFA New York Lecture Series, New York
Hushka, Rock, ‘Holding Objects: The Psychoanalytic Mechanisms of Wearing Jewelry,’ Art Jewelry Forum Blog, 20 September 2010
Marta Serrats, Jewelry Design Handbook, Antwerp, Belgium: BooQs, Mul edition, 2010
2009 Simon, Marjorie, ‘Objects of Remembrance; Contemporary Mourning Jewelry,’ Metalsmith Magazine, Vol 29, No. 5, (Fall 2009): 22-31
McGehee, Abby, ‘Strategies for Loss: Thinking and (Re)making the Past,’ Call + Response exhibition catalogue, Museum of Contemporary Craft, Portland, Oregon
Vigna, Lena and Wiggers, Namita, ‘Mining History; Ornamentalism Revisited,’ Metalsmith Magazine, Vol. 29, No. 3 (Spring 2009): 46-57
Schrijver, Ward, Galerie Rob Koudijs (GRK) Magazine, 2 Years 08/09: 12-13
Cross Gans, Jennifer, ‘The Thinking Body,’ exhibition review, Metalsmith Magazine, Vol 29, No.3 (Spring 2009): 60
Vigna, Lena ‘Heirlooms, Navigating the Personal in Contemporary Jewelry,’ Art Jewelry Forum Blog, 21 June 2009
Bloxham, Jo, Sting of Passion, exhibition catalogue, Manchester Art Gallery, Manchester, England
The Thinking Body, exhibition catalogue, with essays by Glenn Adamson and Matthew Stadler, Jordan Schnitzer Museum of Art, Eugene, Oregon
2008 de Krause, Alyssa, ‘Anya Kivarkis : Blind Spot,’ Exhibition Review, Metalsmith Magazine, Vol. 28, No.2 (Spring 2008): 52
Wagle, Kate, Blind Spot, exhibition catalogue, Lennox, Massachusetts: Q Press, 2008
Kozlowski, Carissa, Jewellery Design, Cologne, Germany: Daab Publishers, 2008
Bijoux: Illustration et Design, Barcelona, Spain: Mao Mao, 2008
Pioneers of Art Jewellery from America, exhibition catalogue, Japan Jewellery Designers Association, Tokyo, Japan, 2007
2007 Emerging Artists 2007, exhibition catalogue, Lennox, Massachusetts: Q Press, 2007
Vigna, Lena, ‘Contemporary Craft: Museums, Galleries, Alternative Spaces,’ Proceedings of the Shaping the Future of Craft: 2006 National Leadership Conference Transcript, American Craft Council, Houston, Texas, 2007
Wiggers, Namita, ‘Coming Into View,’ Exhibition Review, Metalsmith Magazine, Vol. 27, No.5 (Fall 2007): 56
Schmuck 2007, International Fair, Exhibition Catalogue, Munich, Germany: Herausberger, 2007
Hushka, Rock, 8th Northwest Biennial, Tacoma Art Museum Biennial Catalogue, 2007
Grant, Adrianna, ‘Disparate Beauties: Shooting Out the Foreground at the Northwest Biennial,’ 8th Northwest Biennial Review, Seattle Weekly, 7 March 2007: 38
Vigna, Lena, Laced with History, exhibition catalogue, John Michael Kohler Arts Center, Wisconsin, 2007
Metalsmith Magazine, Vol 27, No.1 (Spring 2007): inside cover image
Maselli, Giovanna, ‘New Designers,’ Italian ELLE Magazine, (March 2007): 254
Fashion Source: Jewellery Design, Barcelona, Spain: Mao Mao, 2007
2006 Shimizu, Sakurako, ‘Coming Into View,’ Klimt02, 2006
Wentz, Joshua, ‘Anya Kivarkis Jewelry,’ mocoloco, 22 September 2006
Metalsmith Magazine, Exhibition in Print, Vol. 26, No.4 (Summer 2006): 31
2005 LeVan, Marthe, 500 Brooches, Asheville, North Carolina: Lark Books, 2005
2000 American Craft Magazine, Vol. 60, No.2 (April/May 2000), New York, New York
Collections
2022 Renwick Gallery, Smithsonian American Art Museum, Washington D.C.
2019 Museum of Fine Arts, Boston, Boston, Massachusetts
2018 Houston Museum of Fine Arts, Houston, Texas
2011-16 Museum of Contemporary Craft, Portland, Oregon
2008 Jordan Schnitzer Museum of Art, Eugene, Oregon
2007 Rotasa Foundation, Mill Valley, California
Tacoma Art Museum, Tacoma, Washington
2004 Samuel Dorsky Museum of Art, New Paltz, New York